In Birmingham, a suite of three prints representing the artist’s brother, Ojih Odutola creates a sense of shifting perspective relative to her subject, moving around him in space to capture the familiar contours of his face and to suggest the multidimensionality of his being. The prints are based on photographs the artist took in Birmingham, Alabama, and were produced through a method known as lithography, a water- resist process by which images are drawn onto stone or metal plates in oil-based crayon, then inked and transferred to paper. The addition of gold-leaf detailing elevates the subject’s ordinary white tank top, bringing a regal dignity to the portrayal.
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Earlier Event: July 10Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness
Later Event: July 19Markeith Wiley: Working (Undecided Title)